A Bridge of Hands: The Story Behind Venice’s Striking Sculptures

Explore how Lorenzo Quinn’s monumental hand sculptures in Venice provoke global reflection on unity, climate, and humanity.

By Sneha Tete, Integrated MA, Certified Relationship Coach
Created on

In recent years, Venice has been captivated not just by its winding canals and ancient architecture but by monumental art installations that seem to grasp at the very spirit of the city. Among these, Lorenzo Quinn’s sculptures of giant hands have become global icons—dramatic and evocative works that speak of unity, vulnerability, and resilience. But what do these hands hold for Venice, and what message do they offer to the world?

The Arrival of Monumental Hands in Venice

Venice’s urban landscape was forever changed in 2017 when visitors encountered an astonishing sight along the Grand Canal: two massive white hands, emerging from the water to support the façade of the historic Ca’ Sagredo Hotel. This installation, aptly titled “Support”, was the work of renowned Italian sculptor Lorenzo Quinn. Created in collaboration with Halcyon Gallery, the sculpture’s ghostly hands appeared to cradle the very walls of Venice, symbolizing both protection and peril.

Quinn’s installation arrived at a poignant moment, coinciding with the 57th Venice Biennale, the city’s celebrated international art exhibition. But “Support” was more than an art spectacle; it was a call to consciousness—a monumental reminder of the growing threat posed by climate change and rising sea levels.

  • The hands rose from the canal to support Ca’ Sagredo Hotel, standing out vividly along the city’s most iconic waterway.
  • The scale and placement made it one of the most photographed and discussed works of the Biennale season.
  • Its visual impact intensified conversations around Venice’s vulnerability to environmental threats.

The Message of “Support”: Fragility and Power

“Support” captures a duality at the heart of humanity’s relationship with nature.

  • Rescue and Risk: The hands evoke both a gentle support and an ominous warning—a reminder that humankind possesses the ability not only to protect the world but also to destroy it.
  • Climate Urgency: Rising waters have become a tangible danger in Venice, a city whose future is inextricably linked to the fragility of its environment.
  • Legacy for Future Generations: Quinn spoke passionately about his own children and the responsibility we all bear to safeguard the world for generations to come.

The sculpture’s method was as impressive as its message, with Quinn using the traditional lost-wax casting technique—bridging centuries of artistic heritage to amplify a contemporary crisis.

From “Support” to “Building Bridges”: Expanding the Conversation

Riding on the international acclaim of “Support,” Lorenzo Quinn returned to Venice two years later with an even more ambitious vision. In 2019, as the 58th Venice Biennale opened its doors, another giant installation rose—this time at the city’s historic Arsenale, Venice’s former shipyard and gateway to the East. The artwork, titled “Building Bridges”, presented a new chapter in Quinn’s ongoing dialogue with the city and the world.

  • “Building Bridges” consists of six pairs of massive white hands—towering 50 feet across a waterway in the Castello District.
  • Crafted from white resin, the hands mimic Venetian marble and create an architectural arch as bold as it is eloquent.

The launch was marked by a ceremony featuring the famed tenor Andrea Bocelli, adding musical grandeur to the visual spectacle.

The Symbolism of Six Values

Unlike “Support,” which focused on environmental peril, “Building Bridges” broadened its themes to offer a global message of connection, collaboration, and hope.

Pair of HandsSymbolic Value
Pair 1Friendship
Pair 2Faith
Pair 3Help
Pair 4Love
Pair 5Hope
Pair 6Wisdom

Each pair of hands is joined or clasped in a unique way, representing these core values as essential elements for bridging differences and building a more interconnected world.

Lorenzo Quinn’s Artistic Vision

For Quinn, the hands are not just sculptural forms—they are universal symbols that transcend cultural boundaries. Hands build, comfort, connect, and communicate. In his own words:

“Humanity has never grown by creating barriers. It always grows when it opens up its borders and welcomes new cultures. Venice is a testament to that.”

Venice, historically a crossroads between continents, embodies this spirit of openness, exchange, and integration. Quinn’s “Building Bridges” is thus an artistic reflection of the city’s enduring legacy as a hub of commerce, exploration, and cultural synthesis.

  • The six pairs of hands reference Venice’s role in linking East and West, commerce and art, science and faith.
  • The location, at the Arsenale’s waterway, recalls the city’s role as a gateway for trade, diplomacy, and migration.

Creating the Bridges: Process and Place

Quinn and his team constructed “Building Bridges” from white resin—a nod to the marbled palazzos and bridges that define Venice’s skyline. The hands, though static, seem alive with motion and intention, their gestures universal and immediate.

  • The installation spans 50 feet over the Arsenale canal, forming a literal and metaphorical bridge.
  • The site, once the beating heart of Venetian shipbuilding, anchors the new bridges in a place of historical innovation and exchange.
  • Despite Quinn’s wish for a more prominent location at the Arsenale’s main entrance, city officials placed the sculpture in a less trafficked dockyard—a decision that sparked debate but also gave the work a sense of discovery for intrepid explorers.

The installation’s physical scale invites awe, while its symbolic resonance prompts visitors to consider what connects us rather than what divides us.

Public Reaction and the Power of Public Art

Both “Support” and “Building Bridges” captured the imagination of locals and tourists alike; their scale, visibility, and topical relevance ensured debate and admiration in equal measure.

  • “Support” became the most photographed art installation in Venice during the 2017 Biennale, quickly going viral on social media.
  • “Building Bridges” drew crowds and critical attention, especially during the Biennale’s international influx.
  • The installations triggered conversations about the role of art in public space and its ability to challenge, comfort, and unite communities.

Yet, the journey was not without controversy. The siting of “Building Bridges” was a point of contention, with city authorities favoring a less prominent location. However, this only added to the mystique and allure of the work, making it a “hidden gem” for those willing to seek it out—whether on foot, by vaporetto, or as they journeyed across the lagoon.

A Lasting Legacy: Venice, Art, and Global Dialogue

While both “Support” and “Building Bridges” were conceived as temporary installations, their impact endures. The legacy of Quinn’s hands is visible in the ongoing conversations they have sparked—about Venice’s fate amidst climate change, about humanity’s shared challenges and potential, and about the power of art to initiate dialogue across borders.

Venice itself, as a city poised between water and earth, past and future, becomes the perfect stage for Quinn’s message. The city’s fate is uncertain, but its spirit of resilience and connection—mirrored in these sculptural bridges—offers hope.

Hands Across the World: Quinn’s Broader Oeuvre & Influences

Lorenzo Quinn’s fascination with the motif of hands extends beyond Venice. In cities around the world, his sculptures use the form of hands to convey messages of support, remembrance, and love.

  • The Tree of Life (Birmingham, England): A bronze hands sculpture honoring World War II victims.
  • Love (London): Clasped hands forming a ring—a celebration of connection and commitment.
  • Quinn joins a long lineage of artists—such as Chile’s Mario Irarrázabal, creator of the Hand of the Desert—who utilize the hand as a powerful symbol in monumental art.

Visiting the Sculptures: Practical Notes

For art enthusiasts and travelers, tracking down Quinn’s hand sculptures in Venice has become a pilgrimage of sorts. But visitors should be aware that both “Support” and “Building Bridges” were conceived as temporary works:

  • “Support” was on display from May to November 2017 outside the Ca’ Sagredo Hotel.
  • “Building Bridges” debuted in May 2019 and, as of 2025, can still be glimpsed near the Arsenale—in the Castello District’s dry dock, best approached by water or a walk through the quieter side streets east of the city center.
  • Google Maps and other navigation apps may not provide direct routes—getting lost is, in true Venetian style, part of the adventure.

Frequently Asked Questions (FAQs)

Q: What is the main message of Lorenzo Quinn’s hand sculptures in Venice?

A: Quinn’s sculptures symbolize humanity’s power to both create and destroy, highlighting urgent global issues like climate change (“Support”) and the need for unity and connection (“Building Bridges”).

Q: Where can I see the “Building Bridges” sculpture?

A: “Building Bridges” is located at the Arsenale’s dry dock in Venice’s Castello District. Access can be challenging, but glimpses are possible from certain vaporetto lines or by walking along lesser-known routes.

Q: Are the sculptures permanent?

A: No, both “Support” (2017) and “Building Bridges” (2019) were planned as temporary installations. “Building Bridges” may still be visible, but locations and display periods can change.

Q: What other famous works has Lorenzo Quinn created?

A: Aside from the Venetian hands, Quinn is known for “The Tree of Life” in England and “Love” in London, both featuring hands to express universal values.

Q: Why are hands such a prominent motif in Quinn’s art?

A: Hands are universal—they build, help, and connect. Quinn employs them as symbols of our shared humanity and our capacity for both harm and healing.

Conclusion: Hands That Bridge the World

Lorenzo Quinn’s hand sculptures in Venice do more than adorn the city’s waterways; they demand attention, spark conversation, and inspire hope. By reimagining hands as colossal bridges, Quinn invites us to reflect on how we, too, might connect, support, and build together in a world that desperately needs unity and vision.

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